On the software side, Premiere Pro has a preset workspace called Color Correction. As you work, briefly look away from your monitors, and regularly take longer eyeball breaks. It’s best to work in an environment where the lighting doesn’t change (no windows), use lights that match the color temperature of your monitor, and put a neutral gray, wall covering behind your monitor. It’s difficult to match color calibration on different monitor makes and models and clients might prefer what they see on your PC monitor versus what shows up in the playback monitor. It used to be that if you were working with video that would appear on TV screens, it was a good idea to add a video monitor to your workspace. Set your monitor display to 6,500 degrees Kelvin (the standard video editing display, color temperature for most of the world) or 9,300 degrees Kelvin for those working in East Asia. On the hardware side, you need a reasonably good LCD or plasma monitor. Setting up a workspace for color correction – both software and hardware – will lead to more consistent results. And second, fix the color cast (if there is one). At its most basic, primary color correction is a two-step process: first adjust tonality – brightness and contrast. This tutorial will cover primary color correction. You use secondary color correction techniques to change tonality and color in areas within a clip’s frame. Primary color correction changes the tonality and color of an entire clip.
ADD GAMMA CONTROL TO PREMIERE HOW TO
In this tutorial I show you how to do all of your so-called primary color correction work using only one video effect and two scopes. Your videos will look better and your family, friends, and clients will appreciate the improvements. It’s a good idea to use color correction tools on most, if not all of your projects.
Who can make heads or tails of them? Turns out, the dark art of color correction is not all that opaque. Most video editors gaze upon all those possibilities and end up choosing the path of least resistance: automated effects.
ADD GAMMA CONTROL TO PREMIERE FULL
Premiere Pro has a full complement of tonality and color correction tools including about 40 tonality and color correction video effects and four vector and waveform scopes.
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